There is but one way left to save a classic; to give up revering him and use him for our own salvation.
There is but one way left to save a classic; to give up revering him and use him for our own salvation.
It is not sufficient to see and to know the beauty of a work. We must feel and be affected by it.
I cannot pretend to be impartial about the colours. I rejoice with the brilliant ones, and am genuinely sorry for the poor browns.
It is a peculiar part of the good photographer’s adventure to know where luck is most likely to lie in the stream, to hook it, and to bring it in without unfair play and without too much subduing it.
To say that a work of art is good, but incomprehensible to the majority of men, is the same as saying of some kind of food that it is very good but that most people can’t eat it.
The only things in my life that compatibly exists with this gr , universe are the creative works of the human spirit.
A masterpiece is something said once and for all, stated, finished, so that it’s there complete in the mind, if only at the back.
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