Now that I’m staring down the barrel of the last act of my life, I’m less excited about control and solo effort, and I resent the way the business aspects interfere with my space for creative writing.
Now that I’m staring down the barrel of the last act of my life, I’m less excited about control and solo effort, and I resent the way the business aspects interfere with my space for creative writing.
I’m the interpreter. I’m the one who takes your words and brings them to life. I was trained to sing and dance and laugh, and that’s what I want to do.
I think some aspects of writing can be taught. Obviously, you can’t teach vision or talent. But you can help with comfort.
Abroad, they have covered pretty much all subjects, explored every possibility, every twist. So similarities between ideas you have and those filmed abroad are quite possible.
Our moments of inspiration are not lost though we have no particular poem to show for them; for those experiences have left an indelible impression, and we are ever and anon reminded of them.
Even when I’m writing plays I enjoy having company and mentally I think of that company as the company I’m writing for.
If you’re an actor in your heart, no matter how much money they shove at you, it doesn’t matter if the work doesn’t provide that creative spark. You want out.
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