You have to react to what’s around you in the moment, whatever the music is. Just think of it as some place you have to enter and you need to find the key.
You have to react to what’s around you in the moment, whatever the music is. Just think of it as some place you have to enter and you need to find the key.
So we are pretty convinced we don’t want to play huge stadiums unless we can play them well.
For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.
Some of us will do our jobs well and some will not, but we will be judged by only one thing-the result.
I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.
I’m the interpreter. I’m the one who takes your words and brings them to life. I was trained to sing and dance and laugh, and that’s what I want to do.
I began to work the stage and get the audience into it. I also learned how to have fun out there. It is something I will never forget.
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